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The result of this thematic nebulosity is that Iron Man 2 is quite anonymous and unmemorable for significant portions of its length.
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Debney’s Iron Man theme, while quite good in its own right, can’t have the same impact because nobody knows it yet. The trouble is, the Bond theme is so iconic that it felt like a reward at the end of the origins-focused Casino Royale, a maturing of the character into the James Bond everybody knows. Debney’s intent is clear: he wanted to hold back the heroic theme until the end of the film, much in the way David Arnold did for the Bond theme in Casino Royale. What Debney does have is a heroic theme taken straight from the pages of Jerry Goldsmith (specifically Total Recall ) that makes two token appearances: at the end of “Mayhem in Monaco” and in “I Am Iron Man”. Djawadi at least had a pounding rock progression for Tony Stark’s most “badass” moments. The fact that the villain receives the most coherent thematic treatment unmasks this score’s greatest, possibly crippling, weakness: it doesn’t give Iron Man the thematic attention he, as a comic book hero, unquestionably deserves. Unfortunately, Ivan’s material is the best-developed in the entire score, making reappearances in “Senate/Ivan Creates Drones”, “Monaco”, subtly in “Jailhouse Talk” and with finality in “Ivan’s Demise/The Kiss”, though none of these statements are as enjoyable as that in the first cue. The first cue really takes off in its second half, with the extremely deep male choir (faintly echoing Hans Zimmer’s 90s sound from things like Crimson Tide ) giving the film’s Russian nemesis Ivan Vanko an identity both ethnically fitting and wonderfully ominous. The atmospheric deep choral buildup in this piece’s first forty seconds is an instant indication of the direction this score is trying to take. This becomes apparent immediately in the first track, arguably the score’s strongest: “Ivan’s Metamorphosis”.
#IRON MAN 2 SOUNDTRACK ARCHIVE PROFESSIONAL#
For the second entry into the franchise, director Jon Favreau called in his longtime collaborator and consummate professional John Debney.ĭebney took the predictable, but ultimately appropriate avenue of taking Djawadi’s grungy sound and bolstering it with significant orchestral and choral depth, leading to a larger scope that still retained the franchise identity. While it wasn’t an awful score in my opinion – it did provide the film with a very unique voice considering the orchestral Danny Elfman sound that had dominated many superhero scores up until that point – it didn’t provide Tony Stark with any sort of lasting identity. While popular amongst the movie’s fans, film score community scorned the score with the usual complaints of Media Ventures repetition and overly simplistic structures. Hans Zimmer associate Ramin Djawadi scored the first film with nasty attitude, sacrificing any orchestral or thematic depth whatsoever in favor of a hard-nosed rocking sound with plenty of distortion guitars. His neurotic portrayal of Tony Stark (the eponymous Iron Man ) was enjoyable and popular enough, though, that a sequel was not long in the offing, so here we are, two years later, faced with the imaginatively-titled early-summer romp Iron Man 2. It was the mainstream breakthrough for Robert Downey Jr., an immensely talented actor who had appeared mainly in dramatic roles up until then. Technische Realisation: "PHP Music Script" 9.4.The only reason why 2008’s Iron Man wasn’t the best superhero film of the year is because The Dark Knight came out soon afterwards, which is a shame, because it led to the former being slightly overshadowed by the immense hype of the latter. Iron Man 2 (Soundtrack) | AC-DC | Album | 2010 | Studio-Alben: 2020: Power Up Columbia 2014: Rock Or Bust Columbia 2008: Black Ice Columbia 2000: Stiff Upper Lip Elektra 1995: Ballbreaker Elektra 1990: The Razor's Edge Atlantic 1988: Blow Up Your Video Atlantic 1985: Fly On The Wall Atlantic 1983: Flick Of The Switch Atlantic 1981: For Those About To Rock We Salute You Atlantic 1980: Back In Black Atlantic 1979: Highway To Hell Atlantic 1978: Powerage Atlantic 1977: Let There Be Rock Atlantic 1976: Dirty Deeds Done Dirt Cheap Atlantic 1976: High Voltage Atlantic Greatest Hits-Alben/Compilations: 2010: Iron Man 2 (Soundtrack) Columbia 1986: Who Made Who Atlantic Live-Alben: 2012: Live At River Plate Columbia 1992: Live Atlantic 1978: If You Want Blood You've Got It AtlanticĪlle Preisangaben ohne Gewähr, Stand: n.n. Interpret: AC-DC Album-Titel: Iron Man 2 (Soundtrack) Tracks: 15 Label: Columbia Vertrieb: Sony Erstveröffentlichung: ġ.